IN MUSICAL COMPOSITIONS A THEME IS HOW TO

IN MUSICAL COMPOSITIONS A THEME IS HOW TO

How to achieve contrast and maintain interest by: *introducing new themes each based on a new rhythmically contrasting repeating melodic motif, *modulating to new related keys in which existing melodies are reworked or new ones introduced, *developing accompanying textures with new voices/ostinati every 4/8/16 bars (especially simple two-part textures over-reliant on ostinati). In this setting come the actors that are the musical themes. The structure is built upon a musical idea. How to achieve continuity and maintain coherence by: *repeating and developing rhythmically distinctive melodic motifs, *using chord progressions some of which may be functional and which develop and conclude over 4/8/16 bars, *using appropriate ostinati to create accompanying textures in melody dominated homophony allowing the melodic material to be heard clearly. composition of this type farandolea piece of music composed for or in the rhythm of this dance fuguea musical form consisting essentially of a theme. Theme and variations is a very common musical structure you will come across, especially in classical music. Consider how these composers overcame some of the problems commonly found in your compositions and in theirs, problems such as: This is also slightly true for everything else. In a canon, the theme is the sepquence of notes that keeps repeating itself. Note the quality of work required to achieve a high mark. The theme in musical compositions depends. Study the following example A level compositions by listening to the audio and analysing the notated scores.

In musical compositions a theme is